
Nelson🇺🇸/Roberto🇸🇻
I was separated from my birth family during El Salvador's civil war and was reunited with them in 1997 at the age of 16.
I'm working on a novel based on my life and a documentary film about being one of El Salvador's disappeared children.
I also write a monthly newsletter, where I share original content and updates about my book and film. If you'd like to receive these updates, you can sign up here.
If there has been one consistency throughout my varied and unconventional career, it's that I thrive when I'm working on complex, multi-dimensional problems that have no easy answer.
What Makes My Work Unusual
I bridge technical and creative worlds in ways most people don't. Not only do I build infrastructure for documentary production, podcast hosting, and web publishing, but I also produce those creative projects myself, so I understand the workflows from the inside. I can write code and write novels. I can architect systems and architect stories.
Whether it's developing applications that scale an embroidery business in Panamá, building infrastructure for a 13-year documentary project, or consulting on a crowdfunding campaign to fight patent trolls, I love bringing structure to chaotic, unpredictable systems.
My work has been featured in The BBC World Service, The NACLA Report, The Huffington Post, The Christian Science Monitor, and The Los Angeles Times.
If you're interested in finding out what I'm currently working on, check out my /now page.
On this page, you can learn more about me and my background as a:

Growing up with dyslexia, reading and writing was challenging, so calling myself an author as an adult feels strange. However, writing and storytelling are how I spend the majority of my time nowadays.
After years of struggling with the narrative structure of my documentary, I dove deep into story theory, studying frameworks such as the Hero's Journey, Save the Cat, and Story Grid. That education didn't just help me crack my film's structure; it fundamentally changed how I see the world. I now recognize patterns and structures everywhere, from character arcs to software architecture.
I've been writing online since 2007, starting with Ana's Miracle, where my family and I shared our reunion story. In 2012 I wrote A Kickstarter's Guide to Kickstarter (downloaded 5,000+ times), and in 2024 published an essay in The NACLA Report on the Americas. I'm currently finishing a major rewrite of my novel Waking From Innocent Dreams, which combines memoir with magical realism and historical fiction.
You can find more of my writing in the archives, including articles on failure, adoption, and making art.
Jan 2016 - Present
With themes similar to Hades, Argentina, and Solito, my first novel, Waking From Innocent Dreams, combines memoir with magical realism and historical fiction. It explores the phenomenon of forced disappearances and asks the question, “Can a family reunite in the aftermath of war ever truly heal their broken bonds?
Aug 2011 - Dec 2013
In 2011, I had the idea to write a how-to book about crowd-funding that was based on my experience running a successful campaign, research, and interviews with other creators. I raised funds to help cover the cost of publishing on Kickstarter, and since its release, it has been downloaded over 3,000 times. Through my book, website, and consulting, I’ve helped independent creators understand how crowd-funding works and the challenges they face when launching a campaign.
Jan 2007 - Dec 2013
Ana's Miracle was a blog I started in 2007 to help my adoptive mother with her memoir Missing Mila, Finding Family. My siblings and I shared our thoughts and experiences about reuniting after El Salvador’s 13-year-long civil war. The site was my first online publication and the genesis for several other projects, including my documentary film, an auto-fiction novel, and my web hosting business. After writing there for six years, I decided to move on, but I have kept the site running for posterity.

Identifying Nelson/Buscando a Roberto is my first documentary film and explores the aftermath of El Salvador's 13-year-long civil war. In 1997, when I was 16, I discovered I was one of El Salvador's Disappeared Children, a group of over 1,000 kids who had been forcibly separated from their families during the war.
In addition to being the film's subject, I've played a crucial role in developing its narrative structure and handle all business and technical aspects of production. My study of narrative theory provided the breakthrough we needed to structure this complex documentary.
As part of our research, my co-director John Younger and I produced 86 episodes of a podcast (downloaded 7,000+ times), creating a platform for disappeared children to share their stories publicly. I built all the technical infrastructure from scratch.
The film is currently in post-production, with our second rough cut completed in 2024. You can find updates on the film's website.
Feb 2011 - Present
In 2011, sixteen years after reuniting with his family, Nelson/Roberto gets invited to El Salvador’s Day of the Disappeared, where the country’s president might acknowledge their existence for the first time in the nation’s history.
The event, which is taking place nearly two decades after the end of one of the bloodiest conflicts of the Cold War, could be a turning point for the country.
Despite the skepticism voiced by some attendees, Nelson/Roberto is hopeful that the government will take meaningful action to help the families of the Disappeared, who are still searching for answers about their loved ones.
May 2013 - Dec 2017
During the research phase of the film, we produced 87 episodes of a podcast called Inside The Journey Podcast, where we interviewed members of my family as well as other Salvadoran Adoptees who, like me, were forcibly separated from their families during the war. We also spoke with people who have done significant advocacy work for and in El Salvador, such as Representative Jim McGovern, Professor Aviva Chomsky, and Dr. Angelina Snodgrass Godoy.

My enthusiasm for technology began in elementary school when I used to copy simple programs from 3-2-1 Contact Magazine and run them on my Apple IIgs. Slowly, by changing bits and pieces of code, I taught myself how to program.
Below is a sample of one of my earliest surviving programs, written in QBasic. It draws lines of varying length and color from the center of the screen, which was my attempt at making a screensaver.
SCREEN 12
DO
C = INT(RND(1) * 15) + 1
COLOR C
a = INT(RND(1) * 1040) + 1
B = INT(RND(1) * 1040) + 1
LINE (320, 240)-(a, B)
IF INKEY$ = CHR$(27) THEN 142
LOOP
I've used that foundation to build software over the past 20+ years—from Ruby on Rails applications to complete infrastructure for documentary production, podcast hosting, and web publishing.
Since 2007, I've been building and maintaining web infrastructure for creative professionals. I currently manage 10+ websites through Coto.Studio, which I formalized in 2022. What distinguishes my technical work is that I understand creative workflows from the inside—I build infrastructure because I've produced the work that runs on it.
Mar 2015 - Present
Since 2015, I have been helping artists, authors, and independent creatives with their websites. I help my clients troubleshoot technical issues, keep their sites online, back up their data, and protect them from spammers. In 2022, I formalized the work I had been doing on the side as Coto.Studio.
May 2007 - Aug 2012
For roughly five years, from 2007 to 2012, I worked with Servicio Bordado de Coto (SBC) to computerize its business and improve its operations. I designed and developed several Ruby on Rails applications that streamlined its production process and dramatically increased productivity. My efforts saved the company over 1,000 hours of labor, allowed it to cope with substantial growth, and helped triple revenue. All this was accomplished with a minimal budget using donated computers and open-source software.
May 2004 - Aug 2006
From 2004 to 2006, I designed, developed, and rolled out several Microsoft Access databases for the commercial and residential lending departments of The Village Bank in Auburndale, Massachusetts. The bank used my programs to close over 700 loans, representing over $200 million worth of business.
To me, marketing is a discipline that lies at the intersection of strategy, storytelling, and design. The best marketing happens when someone recommends a product because they genuinely love it, not because they're paid to promote it.
I've applied these principles to launch numerous successful projects, including Kickstarter campaigns that were among the platform's first 10,000 funded projects. I've also learned that failure can be as instructive as success—when my photography book campaign failed, I wrote a post-mortem that was read 3,000+ times and helped other creators avoid similar mistakes.
I focus on creating experiences that feel curated and handcrafted, whether that's a crowdfunding campaign, a website, or comprehensive project documentation.
May 2015 - Jul 2015
In 2015, two Salvadoran friends of mine needed to raise funds to reunite with their birth mother. I volunteered to oversee their GoFundMe.com campaign and helped them raise over $5,000 for the reunion. This project was intended to start the foundation named after my late grandmother, Mama Chila, that would help facilitate more reunions. Unfortunately, I did not have the time, resources, or experiences to make the foundation a reality.
Apr 2013 - Jan 2014
In 2013, Article One Partners approached me to help them run a crowdfunding campaign to combat patent trolls. Not only did I play a prominent role in developing the project’s scope and strategy, but I also wrote the script for, directed, and edited the campaign video and wrote copy for the project page.
I've spoken about my story at numerous schools and colleges, including Yale University, Wellesley College, Dartmouth College, and the University of Chicago.
My speaking topics include identity and adoption, El Salvador's disappeared children, crowdfunding, storytelling, and bridging technical and creative work. I've also appeared on several podcasts, including the BBC World Service.

I've been doing photography since high school, where I learned to develop and print my own negatives in a darkroom.
I believe there is profound yet often overlooked beauty in the world around us. My photography attempts to capture these moments. I primarily shoot fine art and street photography on film—most photos on this site were shot with a 1985 Leica M6 rangefinder.




Photographs by Nelson/Roberto
September 2011 - March 2012
In February 2012, I launched a Kickstarter campaign for StreetXSW, a street photography book I wanted to create, capturing interesting moments from the SXSW festival that people had missed while staring at their phones. At the time, I had successfully funded two projects using crowdfunding and even written a book about how to run successful Kickstarter campaigns. So, how did my campaign go? I raised $400 toward its $10,000 goal before canceling it after 6 days.
During the spring, I coach local high school and middle school kids in the exciting sport of Ultimate Frisbee. I started coaching in 2016 as an assistant and took over as head coach in 2021. A year later, in 2022, I expanded the program to include a middle school. That team finished third at the 2024 Massachusetts state championship.
As a lifelong athlete, I love how sports teach teamwork, resilience, and growth. Ultimate Frisbee is unique because it's self-officiated at all levels. Players have to make their own calls and resolve disputes on the field, which teaches conflict resolution and personal responsibility.